PRINCETON UNIVERSITY CONCERTSのページで、Schubert: Sonata in A Major for
Arpeggione and Piano, D.821に関する楽理研究が報告されている。
しかし論文中、Sonata in a−moll(A Minor)(D821)とすべきところを、A
Majorと誤記の箇所がみられた。単純なミステイクを校閲していない。
http://web.princeton.edu/sites/puconcerts/qx05A1notes.html
楽器教則本の著者、Vincenz Schusterの記事:
Juilliard | The Juilliard Journal Online では、アルペジョーネの解説とともに教則本の著者の概要を紹介している。
当時、この研究リーダーであったMr. Nicolas Deletaille,(Cellist, BELGIQUE)と筆者は、この記事が縁でインターネットからお付き合いすることになった。
... Schubert dedicated the composition to the guitarist VincenzSchuster, who eventually became an arpeggionist and wrote
a ... As a cellist, I played, of course, the Schubert sonata in a
...
Thank you for having informed me about your new Web Site!
It is really very interesting for me to see how well documented you are
about the arpeggione. I recognize the images and the Web links that I already
visited for my own research about the instrument and I wish I could also
understand the text that you wrote as well. Do you plan in the future to make an
English translation of it?
(中略)
I can also inform you that I recorded the Schubert sonata last January in
Florence with the famous viennese maestro Paul Badura-Skoda on the pianoforte,
and I expect that the CD could be issued in 2007. That would be the first time
that a world famous player endorse the arpeggione-pianoforte original version
for a recording!
Perhaps you did not find it and this will interrest you as well.
I am planning to create an "arpeggione website" in the future, and I will
of course mention yours, which is, as far as I know, the most complete and
actual source about arpeggione.
I congratulate you for your resaerch and I look forward keeping contact and
exchange information.
I would like to inform you that my CD with the Schubert Arpeggione Sonata
played on arpeggione and fortepiano instrument are to be released in 2 weeks.
(Nicolas Deletaille, arpeggione; Paul Badura-Skoda, fortepiano)
Paul Badura-Skoda is playing a Conrad Graf fortepiano (ca. 1820) from the
Florence "Accademia
Bartolomeo Cristofori" Collection.
The recording has been made in Florence in
January 2006.
The CD also includes Schubert Quintet in C major with two cellos where I
play with the Quatuor Rosamonde (France). The
Quintet has been recorded in June 2007 in Paris.
I also made very beautiful pictures of my arpeggione. I send you in
attachment the CD cover but I can send you later other beautiful pictures of my
instrument too.
I suppose that Fuga Libera Web Site will advertise the release of their CD
and I will be able to send you this informaton at that time, but I already
wanted to let you know this news!
Dear Executive Director;
I am looking for an orginal Stauffer Arpeggione in the Musical instruments
collection of The Metropolitan Museum of Art in N.Y.
I saw that photo in the web site of the Schubert Society of the USA.
I am a scholar of Arpeggione in the Japanese. Recently, I made up the
web site of "the world of Arpeggione".A new URL is the following: http://arpeggione.web.fc2.com/
I would like to introduce an article in your web site and the photo of
Arpeggione. I am researching a thing such as musicology of arpeggione
sonata which Schubert composed in the history of arpeggione.
Then, I am working the instrument Arpeggione as the original model, too.
Yours sincerely
A Scholar Arpeggione, Japan
Osamu Okumura Ph.D.
*アルペジョーネは、ニューヨーク、メトロポリタン美術館にも所蔵されている
ARPEGGIONE
Popular only for a few years
after its invention by Staufer
in 1823, this hybrid instrument combines a cello body with a
guitar-like fretted neck and 6 strings.
Schubert wrote a famous sonata
for arpeggione with piano accompaniment.
Arpeggione Specification of Metropolitan Museum of Art
Object Name:
対象名
Arpeggione アルペジョーネ
Classification:
分類
Chordophone-Lute-bowed-fretted 弓で弾くフレット付ギターの弦楽器
Maker:
製作者
Johann
Georg Staufer ヨハン・ゲオルグ・シュタウファー
Date Label:日付
1831 ラベル記載の製作年
Object Place:
場所
Vienna, Austria, East, Europe ウィーン、オーストリア、ヨーロッパ
Medium:
部材
Wood, various materials多様な木材
Description: 記述
Spruce belly, 2-piece back of figured maple, スプルース、杢目入りカエデ・剥ぎ合わせ
ribs of figured maple, 杢目入りカエデ・リブ
lowest rib in 2 parts separated by purfling strip, hard, brittle, yellow
varnish with fine craquelle; 細片優れた
craquelle を持つ堅い壊れやすい黄色のワニス
hardwood neck stained black and varnished, grafted pegbox of
hardwood (pear?) 黒く着色された硬材ネックを purfling することによって分離された 2 パートのリブ、及び、硬材
( 西洋ナシ ) のニスを塗られた接がれたpegbox
stained black and varnished, escutcheon-form head with inlaid ring 6-point
star of black abalone and mother-of-pearl, fingerboard of back-stained
pear? with 23 inlaid German silver frets, patent mechanism maple? pegs stained black with inlaid ring of mother-of pearl with black dot,
pear? tailpiece stained black, stained beech and maple purfling with 3
stripes of equal thickness, spruce corner blocks and linings, maple?
upper block, later synthetic endpin holder.
黒く着色されニスを塗られたヘッド、黒いあわび、真珠で 6 箇所にスターがはめ込んだリング、
、黒いドットを持つ 真珠のインレイしたリング、黒く着色されたカエデ・ネックに23
の洋銀によるフレット 釘、
黒く着色された尾片とブナで等しい厚さの 3 本のストライプの合わさったパフリング
のあるカエデの指板、
小さなコーナーブロック、カエデのライニング 、エンドピン ホルダー
Dimensions:
仕様
Total L. 全長: 115.7 cm (45-9/16 in.); Body L. 胴長: 68.2 cm (26-5/8
in.);
(printed on label ラベル) Joannes Georgius Staufer/fecit Viennae anno
18(MS)31;(stamped 印) "D.R.G.M."
Notes:注
In 1832 Staufer and his son patented a model for bowed instruments having
the bridge positioned exactly at middle of belly length; therefore F holes
are higher than normal.
This instrument seems to have such proportions and so may combine the idea
of the improved violoncello with the arpeggione, invented in 1823.
The adjustable neck and patent pegs are typical for Staufer. (Rudolf
Hopfner, March 1997.)
1832 年に シュタウフェと息子は、胴体の中心に配置された駒を持つ弓で弾く楽器の特許を取った ;
1823年に改良されたチェロについてのアイデアを アルペジョーネという名前で発明された。
F 字孔が大きく、調節可能なネック、特許釘(金属フレット)は、シュタウファーの特徴である。
( ルドルフ・ホフナー記述 、 1997 年 3 月 )
The stamped mark D.R.G.M on the endpin clamp refers to a design registered
by the Deutsches Reichs Gebrauchs Muster, in effect until World War Two.
D.R.G.Mのスタンプは、第二次世界大戦まで Deutsches Reichs Gebrauchs
Muster によって記録された設計による。
Constructed according to Viennese inch measure.ウィーンのインチにより測定
Catalogue
information compiled by R. Hopfner (1997).R. ホフナーにより編集されたカタログ情報
From Harvey Turnbull's The Guitar from the Renaissance to the Present Day: H.ターンブルは、ルネサンスから現代までギター工房は以下を解説する :
"In 1822 the German violin and lute maker George Staufer was granted a license to work in collaboration with Johann Ertel on improving the construction of guitars. 1822 年、ドイツのバイオリン、リュートメーカー G.シュタウファーは、ギターの機能を向上させる際、
J.エーテルと共作しライセンスを取得。
Two of their improvements were the raising of the fingerboard above the
table to create a better tone and the use of an alloy of brass, copper,
silver and arsenic
-- used by button makers in the manufacture of white buttons --
instead of silver or ivory for the frets to provide a more durable material."
(See references card)
改善は 2 つある、まず、良いトーンを出すため、指板に銅、真鍮、銀を用いたフレットを使用し、――白いボタンの製造におけるボタンメーカーによって使われるヒ素――、そして、銀、耐久性の材料を供給するための象牙などを用いた。
The arpeggione's adjustable neck is very similar to those seen on early
C. F. Martin guitars (from 1834 on); アルペジョーネの調節可能なネックは、早期の C. F. マーチン ギター ( 1834年代
) で見られたものと非常に類似する ;
C. F. Martin, the famous American guitar maker, worked with Stauffer (sic) in Vienna, becoming foreman of Stauffer's shop before migrating to New York in 1833.
Stauffer was originally a guitar maker. See Mike Longworth, Martin Guitars; a History (1975), pp. 3, 16-17.59.105 "no
reason to question its authenticity"
F. Hellwig (May 1978).
シュタウファーは、ウィーンで元来ギターメーカーであった。有名な米国のギターメーカーのマーティンは、、ニューヨークへ 1833 年に移住する前に
シュタウファー工房の職長で勤めていた。
1975 年製のM.ロングワース著、マーティンギターを参照されたい。F.ヘルウィグの鑑定により。
For
information on Staufer's invention and description of another arpeggione, see
Georg Kinsky, catalogue of Musikhistorisches Museum von Wilhelm Heyer inColn, vol. 2,p. 174-175; f
urther on Staufer in Paul de Wit, Geigenzettel alter Meister...(2nded., 1910),
part 1, p. 14 and table 33;see also Anthony Baines, European and American Musical Instruments,
p. 23, and ill. 141.Black and White Negative:170739
別途、シュタウファーのアルペジョーネの発明、及び、記述に関する情報は、以下のカタログを参照されたい。
Credit Line: 所蔵購入
Purchase,
Rogers Fund, 1959 ロジャーズ資金、 1959 年
Information:
情報源
Metropolitan Museum of Art ニューヨーク・メトロポリタン美術館
J. Kenneth Moore J.ケネス・モア
Frederick P. Rose Curator in Charge, Department of Musical Instruments,
Metropolitan Museum of Art
New York City, New York 10028-0198, Tel: 212 570-3813, Fax: 212 650-2111
シュスターのアルペジョーネ教則本(初版)に関する情報源を見つけることができた。
これは、国際音楽資料情報協会(IAML; IInternational Association of Music Libraries, Archives and Documentation
Centres)
日本支部事務局長・国立音楽大学附属図書館特別資料部・長谷川由美子氏のご協力によるものである。
Notiz: Dear Collegue, The book you were looking for can be found in the Musiksammlung of
the Austrian National Library (it has a separate catalogue).
With kind regards, Dr. Erwin Barta Archivdirektor Wiener Konzerthaus
__________________
Autor In Schuster, Vincenz
Titel Anleitung zur Erlernung des von Hrn. Georg Staufer neu
erfundenen Guitare-Violoncells. Mit einer genauen
Abbildung des Instrumentes. (Git.). - Wien: A. Diabelli
o.J. Nー.2052. 15 S.
IMAGE Zettel
1.Signatur SA.75.A.80 Mus 31
1.SW-Kette Musikdruck /
2.SW-Kette Solo instrumental /
Mit freundlichen Gr・en,
Ben・zungsabteilung
ヨsterreichische Nationalbibliothek
The Library of the Musik-Akademie in Basel holds a copy of the book you request. See:
http://www.mab-bs.ch/bibliothek
/ Mattias Lundberg (Rare Collections, Music Library of Sweden)
MUSICAL INSTRUMENTS
- the author was prof. PhDr. Pavel
Kurfurst, CSc. (1940-2004) professor of the Department of Musicology of the Faculty of Arts of the Masaryk's University in Brno; he is regarded internationally as a top-ranking specialist in his field
- the book of his is an extensive original work which makes good use of his many years of scientific investigation.
* Ludwig van Beethoven (1770-1827)
-Sonatine (Adagio) C-Moll Wo O 43a, Prag 1796
-Air ruse, Variationen uber ein russisches Volkslied, A-Moll op.107,7,
Wien 1817-1818
* Franz Schubert (1797-1828)
-Lied der Migmon A-Moll D 877/4, Wien Janua 1826
-Sonate A-Moll D821, Wien November 1824
* Vincenz Schuster
- Drei Stucke (1825) fur Guitarren - Violoncello und Guitarre, Wien 1825
* Vincenz Schuster
- Drei Stucke (1825) fur Guitarren - Violoncello und Guitarre, Wien 1825
* Lois Spohr(1784-1859)
-Tempo di Polacca A-Dur aus seiner Oper Faust